Embracing Communal Harmony, Jamaluddin and Bittu’s Artistry in a Divided Landscape

India, a land woven with diverse cultural threads, often faces the challenge of communal discord Yet, amidst this tumultuous landscape, emerges a poignant narrative that transcends religious boundaries- Jamaluddin and Bittu, two Muslim sculptors from the North 24 Parganas district of West Bengal, stand as pillars of communal harmony through their craftsmanship.

The grand inauguration of the Ram Mandir in Ayodhya, Uttar Pradesh, stands as a significant event in the soon to arrive 2024. Amidst the fervour surrounding this moment, the story of Jamaluddin and Bittu shines as a beacon of hope, their craftsmanship creating idols of Hindu deities, including Lord Ram, exemplifying a profound respect for diverse faiths. Their dedication goes beyond sculpting mere idols; it symbolizes a spirit of inclusivity and cultural syncretism that lies at the heart of India’s identity. In a nation divided by rhetoric and strife, their creations stand tall, crafting bridges of harmony that defy the divisive narrative propagated by certain factions. Hate Mongers never misses any opportunity to use religious tensions as a means to further their agendas. However, Jamaluddin’s perspective on the Ram Temple issue serves as a breath of fresh air. He believes that religion is a personal matter that should not interfere with the creation and appreciation of art. His stance is a testament to the idea that true craftsmanship knows no religious boundaries. It is a reminder that, regardless of one’s beliefs, anyone can appreciate and participate in artistic expression. This belief is particularly important in times of conflict when it is all too easy to fall into divisive rhetoric. By emphasising the unifying power of art, Jamaluddin’s message stands out as a beacon of hope and positivity. Jamaluddin and Bittu are two artists who specialize in creating sculptures of idols of multiple faiths in India. Their artistic skills not only celebrate the differences in religious beliefs but also promote an

environment where diversity is cherished, and differences are respected. The commitment of Jamaluddin and Bittu to sculpting idols of multiple faiths reinforces the belief that amidst differences, art becomes a powerful language, uniting hearts and souls, erasing the lines that seek to divide. In conclusion, their story embodies India’s cultural beauty, thriving in unity amidst diversity and lighting a path for harmonious coexistence. It is a valuable lesson that the world can learn from and look up to. Their story is a beacon of hope for the world, reminding us that diversity is not a weakness, but a strength that can be harnessed to create a better tomorrow.

Resham Fatima

International Relations

Jawahlal Nehru University